Rhythm formations in the poetry of Abdul Wahab Ibrahim Ashi

Abstract

The study revealed the formations of the rhythmic structure in the works of the poet Abdel-Wahab Ibrahim Ashi between the external rhythm, represented by meter and rhyme, and the internal rhythm, which includes: Rotation, syntactic parallelism, repetition in its various types, alliteration, and counterpoint, and demonstrated the poet’s commitment - often - to meter and rhyme, and the tendency in his meters to be complete. The long, sandy, perfect, close together, plentiful, and simple sea are among the most revolving seas in his poetry. The poet also invested various rhythmic phenomena in enriching the internal music. He achieved sound engineering that gave the poem elegance and attractiveness, in addition to its synergy with various connotations, which led to vitality in the poetic context.